Graphic designer in Berkhampstead, UK, who created an experimental typeface in 2012. Part of Prototype Experimental Foundry in New York City, this outfit designed the commercial Hebrew simulation font Kaiju (2002). ĭesign studio in London that created an experimental geometric typeface called Shellington (2012). Vinnitsa, Ukraine-based group that designed the experimental techno typeface Lower Ladle (2011). The duplexed italics have a reduced slant.Ībstract Fonts link. Album Sans proposes a new reading of grotesques with an extended range of weights: the horizontal terminations of the R and the a, the binocular g, the junction of the k along with the singular design of the numbers, distinguish it from usual forms. Its silhouette retains some memory of the particular proportions and slightly flattened curves of Walbaum. Album is a subtraction of Walbaum: with no serifs for Album Sans and with no contrast for Album Slab. In 2020, Thomas Huot-Marchand decided to redesign them while developing an extended family. They proposed adding distant cousins in later typographic styles: a bold grotesque and a thin slab serif, but these typefaces would ultimately remain unused. In 2010, Thomas Huot-Marchand and SPMillot were asked to develop the typographic identity of the Musée d'Orsay that had been based on Berthold Walbaum since its very beginnings. But his romans had a different flavor, and for some, they contain the origins of the Grotesques that followed. Considered to be one of the foremost creators of his time, he engraved gothic letters and Antiqua type, similar to those of Didot and Bodoni. Quite gifted, he became a specialist, developing an activity as a punch-cutter, and eventually bought Ernst Wilhelm Kirschner’s type foundry.
He explains: Justus Erich Walbaum (1768-1837), a confectioner by trade, carved his own cake molds. These fonts were based on designs by Walbaum. In 2021, he released Album Sans and Album Slab.Minerale won an award at the Type Directors Club's Type Design Competition 2019. The experimental typeface Minerale (2017).His research for this at the ANRT was based on the theory of "compact typography" put forth by Emile Javal, a French ophtalmologist who explained his ideas in "Physiologie de la lecture et de l'écriture" (1905). In Comedia he writes about legibility and the creation of Miniscule, which was optimized to be read at 2 to 6 points. A ten style family for small print, which won an award at the TDC2 2005 type competition.
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It offers Nieu Font (2012, organic), Free Font 21 (2010, a free paperclip face) and the counterless gometric alphabet Navia (2012).Ĭlasia (2013) is an interesting experimental sans typeface. TYPE DESIGN INFORMATION PAGE last updated onĭesign studio in Monterrey, Mexico, run by Rodrigo Alberto Cavazos Rodríguez.
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